<?xml version="1.0" encoding="UTF-8"?>
<item>
  <id>10936</id>
  <title>Clay Potatoes and Olive Pit Fuel</title>
  <published_at>Fri Feb 22 11:08:00 -0800 2008</published_at>
  <link>http://www.chow.com/stories/10936</link>
  <pubDate>Fri, 22 Feb 2008 19:08:00 GMT</pubDate>
  <short_description>Observations from Madrid Fusi&#243;n 2008</short_description>
  <long_description>Observations from Madrid Fusi&#243;n 2008.</long_description>
  <img>http://www.chow.com</img>
  <author>Aida Mollenkamp</author>
  <category>
    <id>6</id>
    <name>Feature</name>
  </category>
  <pages>
    <page>
      <page_number>1</page_number>
      <content>
        <![CDATA[<div id="madrid">

<div id="header">

<h3>Observations from Madrid Fusión 2008</h3>

</div>

	<h1>Clay Potatoes and Olive Pit Fuel</h1>


	<p class="author">By Aïda Mollenkamp</p>


<ul id="nav">
<li id="intr" class="on">Introduction</li>
<li id="rise"><a href="/stories/10936/2" >On the rise</a></li>
<li id="keep"><a href="/stories/10936/3">Keep it</a></li>
<li  id="kill"><a href="/stories/10936/4">Kill it</a></li>
</ul>

<div id="intro">

<div id="sidebar">
<p><span>slideshow</span></p>
<h2><a href="/stories/10937">Of Jamón and Birch Wine</a></h2>
<p>A week&#8217;s worth of eating in Spain</p>
<p class="pt10"><span>Q&#38;A</span></p>
<h2><a href="/stories/10938">Bistronomics 101</a></h2>
<p>French chef Inaki Aizpitarte proves that you don&#8217;t need a trust fund to afford haute cuisine</p>
</div>

	<p>Consider it a year&#8217;s worth of culinary trend-spotting over the course of a week. There was mullet liver, there was smoke, there was olive pit fuel: The <a href="http://www.madridfusion.net/">Madrid Fusión</a> food conference, now in its sixth year, delivered on all the mad-scientist chef expectations. It also emphasized camaraderie and artistic freedom; that chefs need to support and understand, rather than critique, one another (possibly in reaction to last year&#8217;s outburst from <a href="http://www.time.com/time/world/article/0,8599,1580719,00.html ">Santi Santamaria</a>).</p>


</div>

<div class="content">

	<p><a href="http://www.chow.com/stories/10429">Like the 2007 conference</a>, I was there to meet, greet, explore, and marvel at the latest techniques and technologies. The chefs, meanwhile, see Fusión as a time to get out of the kitchen, contrast and compare, and offer encouragement. Above all, the emphasis this year was on each chef striving to make his or her food a reflection of personality and experience, because without that, food lacks passion and meaning. Throughout the love-fest (and eating-fest), I found some things I can&#8217;t wait to see more of, some I&#8217;m happy to still see around, and others I&#8217;d be happy to never see again. Here&#8217;s the rundown.</p>


<div class="story_module">

	<p><a href="/stories/10936/2">On the rise »</a> <br />
Edible clay, honey bubbles,<br /> and smoke</p>


	<p><a href="/stories/10936/2"><img src="/assets/2008/02/on_the_rise_190.jpg" alt="" /></a>
</div></p>


<div class="story_module">

	<p><a href="/stories/10936/3">Keep it »</a><br />
The Scandinavians, the women,<br />and the dust</p>


	<p><a href="/stories/10936/3"><img src="/assets/2008/02/keep_it_190.jpg" alt="" /></a>
</div></p>


<div class="story_module last">

	<p><a href="/stories/10936/4">Kill it »</a><br />
Boring tableware, premeasured <br />salt, and Emeril</p>


	<p><a href="/stories/10936/4"><img src="/assets/2008/02/kill_it_190.jpg" alt="" /></a>
</div></p>


<div class="clear"></div>

	<p><em>Photographs by John Sconzo</em></p>


</div>

</div>]]>
      </content>
    </page>
    <page>
      <page_number>2</page_number>
      <content>
        <![CDATA[<div id="madrid">

	<p><img src="/assets/2008/02/madrid_fusion_mini_header.jpg" alt="" /></p>


<div id="sidebar_nav">
<p class="second_item"><span>Q&#38;A</span> <a href="/stories/10938">Bistronomics 101</a></p>
<p><span>slideshow</span> <a href="/stories/10937">Of Jamón and Birch Wine</a></p>
</div>

<div class="subpage_header">

	<h1>ON THE RISE</h1>


	<h3>Edible clay, honey bubbles, and smoke</h3>


</div>

<div class="clear"></div>
<ul id="nav">
<li id="intr"><a href="/stories/10936/">Introduction</a></li>
<li id="rise" class="on">On the rise</li>
<li id="keep"><a href="/stories/10936/3">Keep it</a></li>
<li  id="kill"><a href="/stories/10936/4">Kill it</a></li>
</ul>

<div class="content blurb">

<div>
<img src="/assets/2008/02/rene_js.jpg" alt="" />

	<p class="blurb"><span class="head">Smoked Out</span><br />
Scandinavian chef <a href="http://www.noma.dk/main.php?lang=en">Rene Redzepi</a> has been firing up his smoker. Using this old-school technique allows him to infuse his foods with bitter, complex flavor while maintaining ties to traditional Danish fare. During his demonstration, each dish he showed had something smoked, from egg yolks to chestnuts, flour, and cheese. To impart that flavor he&#8217;s experimented using smoke from chestnut boughs and hay.</p>


</div>

<div>
<img src="/assets/2008/02/newgeneration_js.jpg" alt="" />

	<p class="blurb"><span class="head">Generation Next</span><br /> 
The old guard, whose members&#8212;Ferran Adrià, Juan Mari Arzak, and Pedro Subijana&#8212;have redefined both avant-garde and Spanish cuisine, is still heavily involved in Fusión, but it appears that the torch has passed to a younger generation. From well-known chefs such as <a href="http://travel.nytimes.com/travel/guides/europe/spain/basque-country/san-sebastian/restaurant-detail.html?vid=1194719866340">Andoni Luis Aduriz</a> to up-and-comers like 27-year-old <a href="http://forums.egullet.org/index.php?showtopic=103968">David Muñoz</a> (pictured here) of recently opened <a href="/places/21981">DiverXo</a>, these young men are eager to show the world that they will carry on the legacy of Spanish avant-garde cuisine.</p>


</div>

<div>
<img src="/assets/2008/02/aduriz_js.jpg" alt="" />

	<p class="blurb"><span class="head">Cosmetology as Gastronomy</span><BR />
Chef Aduriz is known for the mathematical precision with which he executes his take on fusion food at his Basque bistro, <a href="http://www.chow.com/places/21982">Mugaritz</a>. But this year the former Adrià protégé got playful with a dish of soap and bubbles. Aduriz argued that cosmetics are filled with ingredients normally found in the kitchen, so it would only be natural for food to be inspired by cosmetics. Hence, a hake fillet scrubbed by honey bubbles, and a milk and oat sauce fashioned into a bar of soap. Talk about clean food.</p>


</div>

<div>
<img src="/assets/2008/02/olivepits_js.jpg" alt="" />

	<p class="blurb"><span class="head">It&#8217;s the Pits</span><br />
Spain is the world&#8217;s top producer of olive oil. Chef Ángel León figured out a use for all that olive pit detritus: as an alternative fuel. With the help of Chef Aduriz and the Spanish science research company Actiz, León and Aduriz now use the cheaper, cleaner-burning, more efficient olive pit coals for dishes like lacquered beef.</p>


</div>

<div>
<img src="/assets/2008/02/rocksteady2_js.jpg" alt="" />

	<p class="blurb"><span class="head">Rock Steady</span><br />
Taking the farm-to-fork concept to a whole new level, Chefs Aduriz and Arzak each demonstrated dishes using white clay. Aduriz dunked potatoes in a clay mixture and presented them on sticks for a sort of pebble bouquet, while Arzak (pictured here) austerely served up mojo-marinated hake in a clarified-broth-and-<br />white-clay sauce.</p>


</div>

<div>
<img src="/assets/2008/02/gillstofin1_js.jpg" alt="" />

	<p class="blurb"><span class="head">From Gills to Fin?</span><BR />
The <a href="/stories/10558">nose-to-tail</a> phenomenon is practically standard operating procedure now, so for <a href="http://www.casa-gerardo.com/">Chef Marcos Morán</a>, it was merely the natural progression to apply that philosophy to fish. During his demonstration, he cooked with everything from tuna blood to mullet liver. When asked how he addresses presenting this food to squeamish diners, the chef said he relies on the adage that what you don&#8217;t know won&#8217;t hurt you.</p>


</div>

<div>
<img src="/assets/2008/02/bistronomy_mfpressoffice.jpg" alt="" />

	<p class="blurb"><span class="head">Avant-Garde for the Masses</span><br />
The combination of young chefs wanting to break away from traditional cooking, the high cost of living, and the increased layperson interest in good food has created demand for high-end fare offered in a no-frills environment at affordable prices. Sound like bistro cooking? Yes, but because it has to have an <em>-onomy</em> name, <a href="http://www.lexpress.fr/mag/saveurs/dossier/bistrot/dossier.asp?ida=436766">the term <em>bistronomy</em> was coined</a> by French food writer Sébastien Demorand in the early ’90s. Chefs Rafa Oriol and <a href="/stories/10938">Iñaki Aizpitarte</a> showed elegantly straightforward dishes such as foie gras with grated and whole radishes.</p>


</div>

<div>
<img src="/assets/2008/02/vegetarianmeat_js.jpg" alt="" />

	<p class="blurb"><span class="head">Meat? Or Veg?</span><br />
There are plenty of <a href="/stories/10037">mock meats</a> available these days, but they&#8217;re usually made from soy products and bear little physical resemblance to the real thing. Chef Aduriz demonstrated a garnet-hued carpaccio that everyone assumed was beef until he revealed the truth: watermelon! After being dried at 50 degrees Celsius in an oven, the melon takes on the appearance of meat&#8212;it even looks marbled. Then Aduriz grills it. It&#8217;s a further extension of the physical transformation of food, and the tricks that these chefs like to play on us.</p>


</div>

<div class="clear"></div>
</div>

<ul id="nav">
<li id="intr"><a href="/stories/10936/">Introduction</a></li>
<li id="rise" class="on">On the rise</li>
<li id="keep"><a href="/stories/10936/3">Keep it</a></li>
<li  id="kill"><a href="/stories/10936/4">Kill it</a></li>
</ul>

</div>]]>
      </content>
    </page>
    <page>
      <page_number>3</page_number>
      <content>
        <![CDATA[<div id="madrid">

	<p><img src="/assets/2008/02/madrid_fusion_mini_header.jpg" alt="" /></p>


<div id="sidebar_nav">
<p  class="second_item"><span>Q&#38;A</span> <a href="/stories/10938">Bistronomics 101</a></p>
<p><span>slideshow</span> <a href="/stories/10937">Of Jamón and Birch Wine</a></p>
</div>

<div class="subpage_header">

	<h1>KEEP IT</h1>


	<h3>The Scandinavians, the women, and the dust</h3>


</div>

<div class="clear"></div>
<ul id="nav">
<li id="intr"><a href="/stories/10936/">Introduction</a></li>
<li id="rise"><a href="/stories/10936/2">On the rise</a></li>
<li id="keep" class="on">Keep it</li>
<li  id="kill"><a href="/stories/10936/4">Kill it</a></li>
</ul>

<div class="content blurb">

<div>
<img src="/assets/2008/02/nordicchefs1_js.jpg" alt="" />

	<p class="blurb"><span class="head">Nordic Cuisine</span><br />
Chefs such as Rene Redzepi and <a href="http://www.mdghs.com/">Mathias Dahlgren</a> have brought modernity to Scandinavian dining. High-end northern European restaurants have traditionally relied on the southern standards: Italian and French dishes. But these chefs are doing haute luxury <em>Scandinavian</em> food, like mayonnaise infused with smoked salmon accompanied by pickled beets, cucumber water–infused egg whites, and salmon roe.</p>


</div>

<div>
<img src="/assets/2008/02/womenchefs_js.jpg" alt="" />

	<p class="blurb"><span class="head">Profusion of the X Chromosome</span><BR />
Women have been so noticeably absent from past conferences that it was starting to seem&#8212;at least to Americans&#8212;as if avant-garde cooking were a male-only venture. This year more than made up for it though, with María José San Román, María Carmen Vélez, Carme Ruscalleda, Keiko Nagae, and Montse Estruch presenting and cooking for the press dinners.</p>


</div>

<div>
<img src="/assets/2008/02/technotrend_js.jpg" alt="" />

	<p class="blurb"><span class="head">Techno Trends</span><BR />
No groundbreaking technology this year, but techniques and gadgets of years past asserted their staying power. The sweetheart tools of the high-end kitchen such as microwaves, dehydrators, and vacuums are being used as commonly as pots and pans. As for techniques, all the <i>-tions</i>&#8212;gelification, encapsulation, and dehydration&#8212;are still going strong.</p>


</div>

<div>
<img src="/assets/2008/02/dust_js.jpg" alt="" />

	<p class="blurb"><span class="head">Dust Bowl</span><BR />
Soon after the dehydrator entered the molecular-gastronomic kitchen, chefs started making dusts by dehydrating foods such as peppers and crumbling them into something resembling beach sand that provided a punch of flavor and texture. Chef Arzak whipped olive oil and tapioca pudding into a powdery dust that he served with lobster, while his friend Subijana presented cast iron salt-cooked scallops on a bed of red, yellow, and green pepper dust.</p>


</div>
<div class="clear"></div>
</div>

<ul id="nav">
<li id="intr"><a href="/stories/10936/">Introduction</a></li>
<li id="rise"><a href="/stories/10936/2">On the rise</a></li>
<li id="keep" class="on">Keep it</li>
<li  id="kill"><a href="/stories/10936/4">Kill it</a></li>
</ul>

</div>]]>
      </content>
    </page>
    <page>
      <page_number>4</page_number>
      <content>
        <![CDATA[<div id="madrid">

	<p><img src="/assets/2008/02/madrid_fusion_mini_header.jpg" alt="" /></p>


<div id="sidebar_nav">
<p class="second_item"><span>Q&#38;A</span> <a href="/stories/10938">Bistronomics 101</a></p>
<p><span>slideshow</span> <a href="/stories/10937">Of Jamón and Birch Wine</a></p>
</div>

<div class="subpage_header">

	<h1>KILL IT</h1>


	<h3>Boring tableware, premeasured salt, and Emeril</h3>


</div>

<div class="clear"></div>
<ul id="nav">
<li id="intr"><a href="/stories/10936/">Introduction</a></li>
<li id="rise"><a href="/stories/10936/2">On the rise</a></li>
<li id="keep"><a href="/stories/10936/3">Keep it</a></li>
<li  id="kill" class="on">Kill it</li>
</ul>

<div class="content blurb">

<div>
<img src="/assets/2008/02/tvchefs_js.jpg" alt="" />

	<p class="blurb"><span class="head">TV Attributions</span><br />
With an emphasis on media at this year&#8217;s conference, the organizers honored TV cooks from all over the world, including Joël Robuchon, <a href="/stories/10408">Heston Blumenthal</a>, and, yes, Emeril Lagasse. While I can appreciate the desire to embrace new media, it was jarring (to say the least) to have Emeril representing the best of food on U.S. television.</p>


</div>

<div>
<img src="/assets/2008/02/scabin_js.jpg" alt="" />

	<p class="blurb"><span class="head">Infomercial-worthy Schemes</span><br />
The cooking of <a href="http://www.theworlds50best.com/restaurants/restaurant_46.html">Davide Scabin</a> is inspiring, and I&#8217;d eat it any day of the week, but that doesn&#8217;t mean I&#8217;m going to buy into his patents. First, he showed the Identikit. Five sprays (sweet, salty, bitter, etc.) are used to determine your taste identity so that you can become a card-carrying member of the Identikit community. Then there was the Scabin Salt System, which peddles premeasured tablets of salt. I&#8217;ll stick to measuring spoons and scales.</p>


</div>

<div>
<img src="/assets/2008/02/slabplate_js.jpg" alt="" />

	<p class="blurb"><span class="head">Slab Plates</span><br />
Yes, it&#8217;s modern cuisine&#8212;I get it. That doesn&#8217;t mean that every serving plate needs to be a rimless rectangular slab with no personality. Once upon a time, tableware served to enhance the diner&#8217;s experience; it&#8217;s a concept that&#8217;s ripe for a revival. Maybe next year.</p>


</div>

<div class="clear"></div>
</div>

<ul id="nav">
<li id="intr"><a href="/stories/10936/">Introduction</a></li>
<li id="rise"><a href="/stories/10936/2">On the rise</a></li>
<li id="keep"><a href="/stories/10936/3">Keep it</a></li>
<li  id="kill" class="on">Kill it</li>
</ul>

</div>]]>
      </content>
    </page>
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