<?xml version="1.0" encoding="UTF-8"?>
<item>
  <id>10305</id>
  <title>Eat and Get Out</title>
  <published_at>Tue Nov 21 17:12:00 -0800 2006</published_at>
  <link>http://www.chow.com/stories/10305</link>
  <pubDate>Wed, 22 Nov 2006 01:12:00 GMT</pubDate>
  <short_description>The manipulative techniques of casual-dining establishments</short_description>
  <long_description>The manipulative techniques of casual-dining establishments</long_description>
  <img>http://www.chow.com/assets/2006/11/restaurant_design_240x240.jpg</img>
  <author>Jason Horn</author>
  <category>
    <id>6</id>
    <name>Feature</name>
  </category>
  <pages>
    <page>
      <page_number>1</page_number>
      <content>
        <![CDATA[<p>&#8220;Eat and get out&#8221; is the motto of the Chicago &#8216;50s-diner-themed restaurant <a href="http://www.centerstage.net/restaurants/ed-debevics.html">Ed Debevic&#8217;s</a>. Most places aren&#8217;t quite so blunt about it, but at the most basic level, that&#8217;s what they want you to do.</p>


	<p>Environmental psychology, also known as <em>behavioral geography</em>, which looks at how our surroundings affect our actions, has recently been applied to restaurants. This means people are studying (and manipulating) how we dine.</p>


<div class="story_nav">
<img src="/assets/2006/11/design_week_nav_header.gif" border="0" />
<div class="nav_content">
Design and dining are intrinsically linked—from how restaurant designers manipulate your eating habits to the heft of a spoon in your hand. 

	<p><strong>Monday</strong><br />
<span class="no_link"><a href="/stories/10305">Eat and Get Out</a></span><br />
How casual-dining establishments manipulate you</p>


	<p><strong>Tuesday</strong><br />
<span class="no_link"><a href="/stories/10318">Looks Count</a></span><br />
CHOW&#8217;s dos and don&#8217;ts of plating <i>and</i> <br />
<span class="no_link"><a href="/stories/10317">Stack Your Salad (and Other Plating Tips)</a></span><br />
An interview with chef Christopher Styler, author of &#8220;Working the Plate&#8221;<br  /></p>


	<p><strong>Wednesday</strong><br />
<span class="no_link"><a href="/stories/10320">Fork on the Left, Knife on the Floor</a></a></span><br />
Designers reinvent the table setting</p>


	<p><strong>Thursday</strong><br />
<span class="no_link"><a href="/stories/10329">The Friendliest Utensil</a></span><br />
Our photographic ode to spoons</p>


	<p><strong>Friday</strong><br />
<span class="no_link"><a href="http://www.chow.com/stories/10330">Trash Talk</a></span><br />
High-design garbage cans
</div></p>


</div>
&#8220;You have to strike a balance between a happy guest and a guest that contributes to the financial well-being of the restaurant,&#8221; says Stephani Robson, a restaurant-design expert and a senior lecturer at the <a href="http://www.hotelschool.cornell.edu/">Cornell University School of Hotel Administration</a>. 

	<p>The ideal customer at a casual-dining restaurant (a place where the check total is typically between $10 and $30, and that sells booze) is one who spends a lot, then leaves quickly. That way, someone else can be seated. As it turns out, those two characteristics are inversely related. A party that feels comfortable and welcome will order more (and more-expensive) food but will tend to linger, while a rushed group will spend less time at the table but will also spend less money.</p>


<table width="200" align="left" cellpadding="0" cellspacing="2" border="0"><tr><td width="180"><img src="/assets/2006/11/rest1.jpg" border="0" /></td><td width="20" rowspan="2"></td></tr><tr><td><b><I>Uncomfortable chairs help with customer turnover</i></b><br><br></td></tr><tr><td width="180"><img src="/assets/2006/11/rest2.jpg" border="0" /></td><td width="20" rowspan="2"></td></tr><tr><td><b><I>Tables that are close to the kitchen, or in the line of foot traffic, are typically a restaurant's most profitable.</i></b><br><br></td></tr><tr><td width="180"><img src="/assets/2006/11/rest3.jpg" border="0" /></td><td width="20" rowspan="2"></td></tr><tr><td><b><I> Warm colors tend to make waitstaff and diners move more quickly.</i></b><br><br></td></tr>
<tr><td width="180"><img src="/assets/2006/11/rest4.jpg" border="0" /></td><td width="20" rowspan="2"></td></tr><tr><td><b><I>Unanchored tables arranged in the middle of the room make diners eat faster.</i></b><br><br></td></tr></table>

	<p>To reconcile this, one statistic that Robson looks at is spending per minute (SPM)&#8212;average check size divided by number of minutes spent at a restaurant. In a 2004 study, Robson and another Cornell professor analyzed the effects of different kinds of tables on SPM at a Phoenix-area <a href="http://www.chevys.com">Chevys Fresh Mex</a>. She found that banquette tables, the ones against a wall with a bench on one side and chairs on the other, fared worst, with guests staying longer but spending the same amount of money. More surprisingly, she also concluded that &#8220;bad&#8221; tables (ones near the kitchen door or in high-traffic areas) produced higher SPMs, because people sitting there left more quickly but spent roughly the same amount.</p>


	<p>In other studies, environmental psychologists found several subtle ways to turn over tables more rapidly. Fast-paced music tends to make both diners and waitstaff move more quickly, as do warm colors like red and orange. Overly comfortable furniture encourages longer stays, which is why casual-restaurant chairs and booths are rarely padded.</p>


	<p>We feel more comfortable when there is something to &#8220;anchor&#8221; us in our surroundings, like a wall, a partition, or even a potted plant. Diners seated at unanchored tables, especially ones in the middle of the floor, will be less comfortable and will eat faster.</p>


	<p>As social animals, we gravitate toward others, so a crowded-looking restaurant is more appealing than an empty one. For this reason, many restaurants are divided into separate sections that can be filled as necessary.</p>


	<p>But that&#8217;s not to say high-end restaurants never engage in this sort of manipulation. The 42-foot-tall &#8220;wine tower&#8221; at <a href="http://www.aureolelv.com/">Aureole</a> in Las Vegas serves the same purpose as the fajitas at <a href="http://www.chilis.com">Chili&#8217;s</a>. Flashy things like sizzling platters or dessert trays have been proven to entice people to spend. Adam Farmerie, whose design and architecture firm <a href="http://www.avroko.com">AvroKO</a> has gained fame for its design of New York City&#8217;s <a href="http://www.public-nyc.com/">Public</a>, admits that after he heard the color red makes people want to eat and spend money, he &#8220;sorta snuck it in a little everywhere.&#8221;</p>]]>
      </content>
    </page>
  </pages>
  <tags>
    <tag>
      <id>3089</id>
      <name>restaurant design</name>
    </tag>
    <tag>
      <id>3090</id>
      <name>avroko</name>
    </tag>
    <tag>
      <id>3091</id>
      <name>ed debevic's</name>
    </tag>
    <tag>
      <id>3092</id>
      <name>aureole</name>
    </tag>
    <tag>
      <id>3093</id>
      <name>hard chairs</name>
    </tag>
    <tag>
      <id>3094</id>
      <name>uncomfortable</name>
    </tag>
  </tags>
</item>
